Catalogue information
Editor's word in: Imitations and forgeries in ceramics and glass 5 Preface in: Imitations and forgeries in ceramics and glass 6-11 A definition study full of sliding scales. Original, copy, forgery Imitations and forgeries in ceramics 12-19 Prehistoric forgeries in the Veluwe. An illusion poorer Imitations and forgeries in ceramics 20-25 The controversial affair of the Odoorner pottery. With cart loads at the same time 26-31 Imitation of glass from the Classical Antiquity. Air bubbles and shades of green 32-35 Copies and forgeries of ceramics from Chinese soil. Moisture, salt and acid 36-41 Examples from the Rijksmuseum collection. 'Stoneware' forged 42-47 Czech replicas of late and post medieval drinking glasses. Copies of old models. Imitations and forgeries in glass 48-55 Copies of squat porcelain in the nineteenth and twentieth centuries. 56-63 Delftware: copy, imitation or forgery. 'Resurrected as the phenix from his ashes' 64-67 Imitation Antique Tiles by Tichelaar Makkum 1850-1950. A better tile for a higher price 68-71 Nineteenth century copies of seventeenth century Venetian glasses. An unmatchable spontaneity 72-75 Nineteenth century Japanese export porcelain in Kangxi style. Chinese tea from Japanese cups 76-83 Copies of the French factory Samson. Examined 84-91 Forgeries of Dutch Art Nouveau and Art Deco ceramics. An experience richer 92-97 False signatures on glass from Leerdam and Kristalunie. Noticed yet 98-105 Authenticity issues in Murano glass. An elastic concept 106-110 Dating methods for ceramics and glass
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